Aperture 230 Spring 2018 Prison Nation
Weight | 0.915000 |
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Binding | Magazine |
Pages | 128 |
Date Published | 2018-03-01 00:00:00 |
Frequency | Quarterly |
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ISBN13/Barcode | 9781597114332 |
ISBN10 | 1567114334 |
Publisher | Aperture Foundation |
Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on parole, how can images tell the story of mass incarceration when the imprisoned don't have control over their own representation? Organized with the scholar Nicole R. Fleetwood, an expert on art's relation to incarceration, the Spring issue of Aperture magazine addresses the unique role photography plays in creating a visual record of a national crisis.
FRONT
Agenda
Exhibitions to See: Sally Mann, Being New Photography 2018, Sory Sanlé, Zineb Sedira
Backstory
Simon Baker on Man Ray
On Portraits
Geoff Dyer on Garry Winogrand
Dispatches
Haleh Anvari on Tehran
Curriculum
By Gregory Halpern
BACK
Aperture Beat
Object Lessons Stereograph of Sing Sing Prison, ca. 1860s
WORDS
Editors' Note: Prison Nation
Truth & Reconciliation
Images, narrative, and racial justice
Brian Stevenson in Conversation with Sarah Lewis
The Mug Shot: A Brief History
On the origins of criminal typologies
By Shawn Michelle Smith
Bruce Jackson: On the Inside
A folklorist's 1970s-era chronicle of prisons in Texas and Arkansas
By Brian Wallis
Behind These Prison Walls
Two photographers and former corrections officers reflect on life at Riker's Island
Jamel Shabazz and Lorenzo Steele, Jr. in Conversation with Zarinah Shabazz
Marking Time
When a loved one is incarcerated, how do portrait studios keep families together?
By Nicole R. Fleetwood
Solitary Resistance <
Behind bars, an artist transforms prison-issued materials into powerful works of art
Jesse Krimes in Conversation with Hank Willis Thomas
Prison Index
An online project about images of incarceration becomes a public resource
By Pete Brook
PICTURES
Jack Lueders-Booth
Introduction by Christie Thompson
Lucas Foglia
Introduction by Jordan Kisner
Deborah Luster
Introduction by Zachary Lazar
Nigel Poor
Introduction by Rebecca Bengal
Sable Elyse Smith
Introduction by Jessica Lynne
Joseph Rodriguez
Introduction by Reginald Dwayne Betts
Zora J Murff
Introduction by Ruby Tapia
Emily Kinni
Introduction by Virginia Grise
Stephen Tourlentes
Introduction by Mabel O. Wilson