Aperture 232 Fall 2018 Los Angeles
Aperture's “Los Angeles” issue explores how one of America’s most photographed cities is also an essential hub for some of today’s most important photography and photo-based art. Part of an ongoing series of issues that profile the photographic culture of a particular city, “Los Angeles” features key figures in the city’s photography community. Brand-new portfolios highlight Los Angeles’s unique conceptual traditions and, in some cases, consider the city as a studio. Including contributions by Janna Ireland, Carter Mull, Torbjørn Rødland, Guadalupe Rosales, Catherine Opie, Paul Mpagi Sepuya, and Lise Sarfati, “Los Angeles” captures the city’s historic and contemporary photographic vibrancy through enduring visual records of its landscape and communities.
| Weight | 0.945000 |
|---|---|
| Binding | Magazine |
| Pages | 128 |
| Date Published | 2018-08-30 00:00:00 |
| Frequency | Quarterly |
|---|---|
| ISBN13/Barcode | 9781597114356 |
| ISBN10 | 1597114359 |
| Publisher | Aperture Foundation |
FRONT
Agenda: Exhibitions to See
Laurie Simmons, Shoji Ueda, Gordon Parks, Luigi Ghirri
Backstory
Diana Dufour on Katrien De Blauwer
Redux
Alistair O’Neill on Deborah Turbeville’s Maquillage, 1975
Curriculum
By Susan Meiselas
BACK
Object Lessons
Ed Ruscha’s Production Notebooks, 1973–90
WORDS
Editors’ Note: Los Angeles
City of Images
Contributions by James Welling, Luis C. Garza, Awol Erizku, Dana Goodyear, Geoff Dyer, and Catherine Opie
John Divola & Mark Ruwedel
Traversing the city and the desert
A Conversation with Amanda Maddox
Back in the Days
In shapshots and portraits, an archive of Chicano life
By Carribean Fragoza
Chávez Ravine
Don Normark’s 1949 chronicle of a Mexican American community
By Yxta Maya Murray
Toward Poetic Vision
Robert Heinecken redefines the photograph
By Rebecca Morse
The Genuine in a World of Copies
Revisiting an influential exhibition of Southern California art
By Erin O’Toole
Ilene Segalove’s Modern America
Artifice and reality in Beverly Hills
A Conversation with Charlotte Cotton
PICTURES
Anthony Hernandez
Introduction by Glen Helfand
Lise Sarfati
Introduction by Brian Sholis
Barak Zemer
Introduction by Kate Palmer Albers
Christina Fernandez
Introduction by Yxta Maya Murray
Sophie Tianxin Chen
Introduction by Jennifer Piejko
Paul Mpagi Sepuya
Introduction by Andy Campbell
Carter Mull
Introduction by Jonathan Griffin
Rodrigo Valenzuela
Introduction by Matthew Schum
David Alekhuogie
Introduction by Ikechukwu Onyewuenyi
Janna Ireland
Introduction by Susan Morgan
Mona Kuhn
Introduction by Sara Knelman
Torbjørn Rødland
Introduction by Travis Diehl