Aperture 240 Autumn Fall 2020

FRONT
Spotlight
Marjon Carlos on Dannielle Bowman and the shadows of history

Day Jobs
Jesse Dorris on Duane Michals’s formative trip to Russia

Viewfinder
Ekow Eshun on photographs that imagine the fantasies of whiteness

Curriculum
by John Edmonds

BACK

Object Lessons
Nicole Acheampong on Dorothy Trujillo’s Tourist with a Camera, 1978

WORDS
People of the Earth
Images, ancestors, and archives
Wendy Red Star in Conversation
with Emily Moazami

To Walk in Both Worlds
The portraiture of Richard Throssel and Horace Poolaw
by Rebecca Bengal

Family Days: Three Reflections
---The Picture
by Natalie Diaz

---Quarantine Album
by Tommy Pico

---The Sky and the Spruce
by David Treuer

Kimowan Metchewais: A Kind of Prayer
Language, landscape, and the search for visual sovereignty
by Christopher Green

The Lure of Foraging
Jacqueline Cleveland’s chronicle of Native survivance in western Alaska
by Eve Díaz

The Indigenous Gaze
How has Inuit culture shaped cinema?
by Julian Brave NoiseCat

History Is Present
Alan Michelson evokes a continent’s unfinished stories
A Conversation with Chrissie Iles

All of My Relations
In Rebecca Belmore’s performances, the lives of First Nations women
A Conversation with Wanda Nanibush

PICTURES

Duane Linklater
Introduction by Eungie Joo

Martine Gutierrez
Introduction by Nadiah Rivera Fellah

Marianne Nicolson
Introduction by Miranda Belarde-Lewis

Krista Belle Stewart
Introduction by Philip J. Deloria

Karen Miranda Rivadeneira
Introduction by Yxta Maya Murray

Guadalupe Maravilla
Introduction by Carribean Fragoza

Wendy Red Star
Introduction by Julia Bryan-Wilson