Aperture 246 Spring 2022
Weight | 0.850000 |
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Binding | Magazine |
Pages | 148 |
Date Published | 2022-03-10 00:00:00 |
Frequency | Quarterly |
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ISBN13/Barcode | 9781597115247 |
Publisher | Aperture Foundation |
FRONT
Agenda
Robert Adams, Tracey Rose, Thomas Demand, Raymond Depardon
Collecting
Britt Salvesen on LACMA’s new photography collection by European women
Viewfinder
Kaya Genç on Sabiha Çimen’s collaborative project with Turkish students
Studio Visit
Randy Kennedy on Kenié Sugiura and the boundaries between photography and painting
Backstory
Elisabeth Zerofsky on Mohamed Bourouissa’s prescient book about the Parisian suburbs
Curriculum
Sohrab Hura on Bruce Lee, Apichatpong Weerasethakul, and the secret life of Dayanita Singh
BACK
Endnote
Six questions for Ryan McGinley
WORDS
What Makes a Celebration?
How photographs honor community and love, mourning and jubilation
Lynne Tillman
Because the Night
Roxy Lee and the freedom of club culture
Charlie Porter
When the Party Came to Lagos
Marilyn Nance’s euphoric chronicle of FESTAC ’77
Anakwa Dwamena
Around the World
Jamie Hawkesworth seeks beauty in travels from Detroit to Mongolia
Alistair O’Neill
Shikeith’s Black Uncanny
A young artist’s vision of Black queer spiritual life
Tiana Reid
After the Fall
Tobias Zielony captures the yearning for youthful self-determination
A Conversation with Kimberly Bradley
The Shape of Things
How Rinko Kawauchi became a visual poet of the everyday
Moeko Fujii
PICTURES
What’s Ours
In Lebanon, Myriam Boulos finds exuberance amid revolution
Mona Eltahawy
Itaewon Story
Heinkuhn Oh’s glamorous mavericks of 1990s-era Seoul
Harry C. H. Choi
Night Revels of Kinshasa
Jean Depara’s cosmopolitan scenes of midcentury Congo
Yasmina Price
Under the Blue Sun
For Fabiola Menchelli, abstraction is a form of alchemy
Kate Palmer Albers
Hanafuda
Will Matsuda’s meditations on the American landscape
Lucy Ives