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Art Asia Pacific Almanac 2024 Volume XIX
£25.00
In stock
EDITOR'S LETTER
REPORTS
- Controversy: Self-Inflicted Problems BY ANNA LENTCHNER
- Awards: Leading Lights BY ANNA LENTCHNER
- Career Moves: Leading Roles BY ANNA LENTCHNER
- Big Story: Unfolding Catastrophes BY ANNA LENTCHNER
- Infrastructure: Build Back Better BY ANNA LENTCHNER
- Looking Ahead: Culture Clash Schedule BY HG MASTERS
- News: Imprisoned But Not Forgotten BY HG MASTERS
- Obituaries: Lasting Legacies BY THE EDITORS
- Public Domain: Rescue and Relief BY ANNA LENTCHNER
- Art Fairs: Scale Wars BY ALEX YIU
- Auctions: Undercurrents Rise Above BY ALEX YIU
- Cultural Currency: Stagnant Waters BY ALEX YIU
PROFILES
- The Artists of 2023: Where From, Where To? BY HG MASTERS
- The Artists of 2023: Farah Al Qasimi BY ANNA LENTCHNER
- The Artists of 2023: Tromarama BY HG MASTERS
- The Artists of 2023: Hajra Waheed BY HG MASTERS
- The Artists of 2023: Simone Fattal BY OLIVER CLASPER
- The Artists of 2023: Tishan Hsu BY ALEX YIU
- The Artists of 2023: Tuan Andrew Nguyen BY OLIVER CLASPER
FEATURES
- Inside Burger Collection: Exiting the Dreamland: Sophie von Hellermann BY SOFIA HALLSTRÖM
- Almanac 2024 City Reports: Contested Terrain BY HG MASTERS
- Seoul: The Grand Stage BY ANDY ST. LOUIS
- Shanghai: Recovery and Restart BY LING GU
- Hong Kong: Listening Through Imagery: Interview with Enzo Camacho and Ami Lien BY HG MASTERS
- Istanbul: A Special Place in Hell BY MATT HANSON
- Ho Chi Minh City: The Renanimated, Resilient Metropolis BY HUNG DUONG
- Singapore: Hopeful Interruptions: Interview with Shubigi Rao BY ALEX YIU
- New Delhi: Out of the Doldrums and Into the Fire BY MEERA MENEZES
- Beirut: Serotonin, Benzine, and a Renegade Body BY AHMAD GHOSSEIN
- Bangkok: Textures of Memory and Exchange: Interview with Jakkai Siributr BY HG MASTERS
- Dhaka: Listening to Disquiet BY SHAHIDUL ALAM, TANZIM WAHAB, MUNEM WASIF
- London: One Thousand Cuts BY CHLOE CHU
- New York: Disobedient to History: Interview with Sim Chi Yin BY HG MASTERS
- Sydney: The Call and Response Across Time: An Interview with Jonathan Jones BY HG MASTERS
- Fukushima: Dispatch from an Exclusion Zone BY JASON WAITE
REVIEWS
- Manila: Resurgence of Site and Critique BY PORTIA PLACINO
- Festivals of 2023: First Houses BY HG MASTERS
- Festivals of 2023: 5th Kochi-Muziris Biennale BY ANNA LENTCHNER
- Festivals of 2023: Sharjah Biennial 15 BY HG MASTERS
- Festivals of 2023: 14th Gwangju Biennale BY ANNA LENTCHNER
- Festivals of 2023: 14th Shanghai Biennale BY ALEX YIU
- Festivals of 2023: Biennale Jogja 17 BY OLIVER CLASPER
- Festivals of 2023: Thailand Biennale BY ANNA LENTCHNER
- Exhibitions of 2023: Beyond The Numbers BY HG MASTERS
- Exhibitions of 2023: Pacita Abad BY ANNA LENTCHNER
- Exhibitions of 2023: Maryn Varbanov’s and Song Huai-Kuai’s “The Threads of Destiny” BY ALEX YIU
- Exhibitions of 2023: Wang Tuo’s “The Second Interrogation” BY OLIVER CLASPER
- Exhibitions of 2023: “Voice Against Reason” BY ALEX YIU
- Exhibitions of 2023: Mithu Sen’s “mOTHERTONGUE” BY ANNA LENTCHNER
- Exhibitions of 2023: Mao Ishikawa’s “What Can I Do?” BY OLIVER CLASPER
- Exhibitions of 2023: “Notations on Time” BY OLIVER CLASPER
- Exhibitions of 2023: Rayyane Tabet’s “The Return” BY OLIVER CLASPER
- Exhibitions of 2023: Hiroshi Sugimoto’s “Time Machine” BY OLIVER CLASPER
- Exhibitions of 2023: Paul Pfeiffer’s “Prologue to the Story of the Birth of Freedom” BY OLIVER CLASPER
- Exhibitions of 2023: Hoda Afshar’s “A Curve Is a Broken Line” BY OLIVER CLASPER
- Festivals of 2023: Taipei Biennial 2023 BY HG MASTERS
- Festivals of 2023: 7th Guangzhou Triennial BY ALEX YIU
- Exhibitions of 2023: Nirmala Dutt’s “Statements” BY OLIVER CLASPER
- Festivals of 2023: Dhaka Art Summit BY OLIVER CLASPER
- Exhibitions of 2023: Martin Wong’s “Malicious Mischief” BY ALEX YIU
- Festivals of 2023: 12th Seoul Mediacity Biennale BY ALEX YIU
- Exhibitions of 2023: Ho Tzu Nyen’s “Time & the Tiger” BY ALEX YIU
- Exhibitions of 2023: Kim Beom’s “How to Become a Rock” BY OLIVER CLASPER
- Exhibitions of 2023: Melati Suryodarmo’s “Passionate Pilgrim” BY ALEX YIU
Art Asia Pacific Almanac 2024 Volume XIX is available to buy in increments of 1
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EDITOR'S LETTER
REPORTS
- Controversy: Self-Inflicted Problems BY ANNA LENTCHNER
- Awards: Leading Lights BY ANNA LENTCHNER
- Career Moves: Leading Roles BY ANNA LENTCHNER
- Big Story: Unfolding Catastrophes BY ANNA LENTCHNER
- Infrastructure: Build Back Better BY ANNA LENTCHNER
- Looking Ahead: Culture Clash Schedule BY HG MASTERS
- News: Imprisoned But Not Forgotten BY HG MASTERS
- Obituaries: Lasting Legacies BY THE EDITORS
- Public Domain: Rescue and Relief BY ANNA LENTCHNER
- Art Fairs: Scale Wars BY ALEX YIU
- Auctions: Undercurrents Rise Above BY ALEX YIU
- Cultural Currency: Stagnant Waters BY ALEX YIU
PROFILES
- The Artists of 2023: Where From, Where To? BY HG MASTERS
- The Artists of 2023: Farah Al Qasimi BY ANNA LENTCHNER
- The Artists of 2023: Tromarama BY HG MASTERS
- The Artists of 2023: Hajra Waheed BY HG MASTERS
- The Artists of 2023: Simone Fattal BY OLIVER CLASPER
- The Artists of 2023: Tishan Hsu BY ALEX YIU
- The Artists of 2023: Tuan Andrew Nguyen BY OLIVER CLASPER
FEATURES
- Inside Burger Collection: Exiting the Dreamland: Sophie von Hellermann BY SOFIA HALLSTRÖM
- Almanac 2024 City Reports: Contested Terrain BY HG MASTERS
- Seoul: The Grand Stage BY ANDY ST. LOUIS
- Shanghai: Recovery and Restart BY LING GU
- Hong Kong: Listening Through Imagery: Interview with Enzo Camacho and Ami Lien BY HG MASTERS
- Istanbul: A Special Place in Hell BY MATT HANSON
- Ho Chi Minh City: The Renanimated, Resilient Metropolis BY HUNG DUONG
- Singapore: Hopeful Interruptions: Interview with Shubigi Rao BY ALEX YIU
- New Delhi: Out of the Doldrums and Into the Fire BY MEERA MENEZES
- Beirut: Serotonin, Benzine, and a Renegade Body BY AHMAD GHOSSEIN
- Bangkok: Textures of Memory and Exchange: Interview with Jakkai Siributr BY HG MASTERS
- Dhaka: Listening to Disquiet BY SHAHIDUL ALAM, TANZIM WAHAB, MUNEM WASIF
- London: One Thousand Cuts BY CHLOE CHU
- New York: Disobedient to History: Interview with Sim Chi Yin BY HG MASTERS
- Sydney: The Call and Response Across Time: An Interview with Jonathan Jones BY HG MASTERS
- Fukushima: Dispatch from an Exclusion Zone BY JASON WAITE
REVIEWS
- Manila: Resurgence of Site and Critique BY PORTIA PLACINO
- Festivals of 2023: First Houses BY HG MASTERS
- Festivals of 2023: 5th Kochi-Muziris Biennale BY ANNA LENTCHNER
- Festivals of 2023: Sharjah Biennial 15 BY HG MASTERS
- Festivals of 2023: 14th Gwangju Biennale BY ANNA LENTCHNER
- Festivals of 2023: 14th Shanghai Biennale BY ALEX YIU
- Festivals of 2023: Biennale Jogja 17 BY OLIVER CLASPER
- Festivals of 2023: Thailand Biennale BY ANNA LENTCHNER
- Exhibitions of 2023: Beyond The Numbers BY HG MASTERS
- Exhibitions of 2023: Pacita Abad BY ANNA LENTCHNER
- Exhibitions of 2023: Maryn Varbanov’s and Song Huai-Kuai’s “The Threads of Destiny” BY ALEX YIU
- Exhibitions of 2023: Wang Tuo’s “The Second Interrogation” BY OLIVER CLASPER
- Exhibitions of 2023: “Voice Against Reason” BY ALEX YIU
- Exhibitions of 2023: Mithu Sen’s “mOTHERTONGUE” BY ANNA LENTCHNER
- Exhibitions of 2023: Mao Ishikawa’s “What Can I Do?” BY OLIVER CLASPER
- Exhibitions of 2023: “Notations on Time” BY OLIVER CLASPER
- Exhibitions of 2023: Rayyane Tabet’s “The Return” BY OLIVER CLASPER
- Exhibitions of 2023: Hiroshi Sugimoto’s “Time Machine” BY OLIVER CLASPER
- Exhibitions of 2023: Paul Pfeiffer’s “Prologue to the Story of the Birth of Freedom” BY OLIVER CLASPER
- Exhibitions of 2023: Hoda Afshar’s “A Curve Is a Broken Line” BY OLIVER CLASPER
- Festivals of 2023: Taipei Biennial 2023 BY HG MASTERS
- Festivals of 2023: 7th Guangzhou Triennial BY ALEX YIU
- Exhibitions of 2023: Nirmala Dutt’s “Statements” BY OLIVER CLASPER
- Festivals of 2023: Dhaka Art Summit BY OLIVER CLASPER
- Exhibitions of 2023: Martin Wong’s “Malicious Mischief” BY ALEX YIU
- Festivals of 2023: 12th Seoul Mediacity Biennale BY ALEX YIU
- Exhibitions of 2023: Ho Tzu Nyen’s “Time & the Tiger” BY ALEX YIU
- Exhibitions of 2023: Kim Beom’s “How to Become a Rock” BY OLIVER CLASPER
- Exhibitions of 2023: Melati Suryodarmo’s “Passionate Pilgrim” BY ALEX YIU