Ceramics: Art & Perception 115 May 2020

CONTENTS

• Claire Partington: Tea and Post-colonial Retribution by Matthew Kangas
• Joon Hee Kim: Who Am I? by Denis Longchamps
• The Twelve Immortals of Flowers in Chinese Ceramics by Peng Shengfang
• Work, Beauty, and the Human Spirit:
  The Legacy of Brother Thomas Bezanson by Andrew L Maske
• Ian Morrison by Tim Saunders
• Blanc de Chine: A Continuing Conversation by Frances McDonald
• Book review What Makes a Potter: Functional Pottery in America Today by Janet Koplos by Owen Rye
• Rooted in the Gut: Chris Gustin’s Eloquent Vessels by Leigh Taylor Mickelson
• Eva Kwong: Love Between the Atoms / Lifelines by Michael Jones
• Ron Nagle: Getting to No at Matthew Marks Gallery, New York by Janet Koplos
• A Kiln of One’s Own: The Work of Kathy Kranias by Lera Kotsyuba
• Takeshi Yasuda: Working in China by Sebastian Blackie
• Dead Dad Book by Vicky Lindo

• A Magic Spell or a Ceramic Bowl? The Sassanid Crescent of Islamic and Changsha Ceramics by Mohsen Jaafarnia, Avinash Shende, Sahar Boroomand and He Renke
• Peter Beasecker: Clarity by Janet Koplos
• Thirteen Ways of Looking at Fire by John Hughes
• Material Traces of Past Performances: Reclaiming Authenticity in Contemporary Studio Pottery by Orly Nezer

TECHNICAL

• Ceramic Art: The Kashi tiles of Sindh by Muhammad Hussnain Sethi and Lei Shen
• Q&A: Glaze Pinholes by Jeff Zamek
• Rong Jiang’s Floriated Zisha Teapots by Chunhui Song, Rongrong Cui and Linlin Shen
• Q&A: Traditional Techniques and Culture of Chinese Rongchang Pottery by Zhang Hongxia

Cover image: Takeshi Yasuda, Untitled, bowl, Qingbai glaze with gold.
Image courtesy of Goldmark Gallery