Diaphanes 3 Winter 2017 2018
When to switch off? What to look for? How to write? Which lines to draw? Whence self-recognition? DIAPHANES 3—TIME PROBE ZERO SYNTHESIS
Where is the present when the computer pulses at the wrist every day, when we’re globally interconnected in real time but don’t take in our selves for a single moment, just bits and pieces, just snatching a few intensities, when neurons plus communication already makes a consciousness? Is it nothing but a hallucination, in permanent crisis? Does it stand still, get wider, poorer?
How does the past change when systems record every second, saving them for the right moment or for all eternity, when contacts, mails, and calendar and movement data evaporate like spam in the cloud? Is it forgotten, does it become a lifelong case file, or just get older?
What will become of the future when algorithms synchronize our desires, calculate our life chances and mortality rates, when data sets determine our rights? Does it freeze up like a computer screen, does it melt like a glacier, or has it long since belonged to quite different beings?
When to switch off? What to look for? How to write? Which lines to draw? Whence self-recognition? DIAPHANES 3—TIME PROBE ZERO SYNTHESIS: authors, artists, theorists each with their uniquely discursive temporal sonars, in images, voices, texts, assemblages.
Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Gilles Rotzetter, Maël Renouard, Esther Shalev-Gerz, Lucy McKenzie, Wolfgang Plöger, Friederike Mayröcker, Elena Vogman, Stephen Barber, Dieter Mersch, Jso Maeder, Penelope Umbrico, Ko Murobushi, Alexander Kluge, Marcus Quent
Weight | 0.560000 |
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Binding | Magazine |
Pages | 164 |
Date Published | 2018-01-04 00:00:00 |
ISBN13/Barcode | 9783035800289 |
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Publisher | Diaphanes Editions |
Contents
Marcus Quent . Verrinnen der Zeit und Glaube an die Welt . . . . . BELISAR by François Gérard . . . . . Maël Renouard . Modifications infimes et considérables . . . . . Dieter Mersch . Digital Criticism . . . . . Maël Renouard . The Twilight of Classification? . . . . . Manuel Franquelo . Manuel Franquelo im Gespräch . . . . . Elena Vogman . Dynamography, or Andrei Bely’s Rhythmic Gesture . . . . . Dietmar Dath . Your Sprache Never Was . . . . . I say . . . . . Maël Renouard . Fragmente eines unendlichen Gedächtnisses . . . . . Stephen Barber . A War of Fragments: World Versus America . . . . . After This Comes That Before That Comes This . . . . . Corporate Love . . . . . Lieber Paul 3 . . . . . Dietmar Dath . Your Sprache Never Was. . . . . Dieter Mersch . Digital Criticism . . . . . Manuel Franquelo . An interview with Manuel Franquelo . . . . . Marcus Quent . Elapsing Time and Belief in the World . . . . . Stephen Barber . Krieg aus Fragmenten: World Versus America
Some of the contributors