Diaphanes 4 Spring 2018
DIAPHANES MAGAZINE No. 4
Was there ever anything inherent? Or wasn’t there always something different—appropriated?
Was there ever anything inherent? Or wasn’t there always something different—appropriated? The narratives of identity: exhausted among undead restoration and the fragmented discourses of equality. Every self-image forecasts its own disappearance. The longer you look at it, the more alien its returning stare. Even a square centimeter of mucous membrane or the thinnest of biofilms reveal the body as a transitory space, the individual as a colony: I am I and all my microorganisms—and those of my ancestors and their genotypes formed through ages of adaptation. Mutation and migration—from micro- to socio-biome: we are we and all our languages, ideas, and cultures, together with their epidemic religious and knowledge wars.
Merry Xenotism! This edition sings the praises of diversity, of cheerful border traffic, of the vital contagiousness of the alien: Yves Netzhammer projects a digital agglomeration; Lynn Hershman Leeson signs her antibody. Parzival’ has no identity, but a mission. What or who is Zah Zuh, and where is the next bit? Angelika Meier explains who the author really is, A.K. Kaiza what Wakanda would be if it existed. Slavs and Tatars call for repetition and temporal amalgamation, Zoran Terzićfor political transplantations. And will Swiss beeches soon need homeland security against xenophytic oaks?
Becoming porous, improper, contagious, learning how not to understand:...
Weight | 0.595000 |
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Binding | Magazine |
Pages | 164 |
Date Published | 2018-04-26 00:00:00 |
ISBN13/Barcode | 4191116714809 |
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Publisher | Diaphanes Editions |
Angelika Meier . Wer ich wirklich bin . . . . . Slavs and Tatars . Reverse Joy . . . . . Michele Pedrazzi . The Next Bit. Corpo a corpo con l’ignoto . . . . . Jochen Thermann . Der Hilfskoch . . . . . Thomas Huber . Generation of the Lynn Hershman Antibody . . . . . Boutiques on the Bosporus . . . . . Maria Filomena Molder . The Alms of Time . . . . . . . . . . Honoré Daumier: Don Quixote lisant . . . . . A.K. Kaiza . An Annotated History of Wakanda . . . . . Je me souviens . . . . . Damian Christinger, Monica Ursina Jäger . Fiktionen von Heimat . . . . . Helmut J. Schneider . Wie fern darf der Nächste sein? . . . . . Jean-Luc Nancy . Zah Zuh . . . . . Jean-Luc Nancy . Zah Zuh. . . . . Jean-Luc Nancy . Zah Zuh . . . . . Michele Pedrazzi . The Next Bit. Hautnah am Körper des Unbekannten . . . . . Damian Christinger, Monica Ursina Jäger . Homeland Fictions . . . . . Maria Filomena Molder . Die Almosen der Zeit . . . . . Michele Pedrazzi. The Next Bit: un corps à corps avec l’inconnu . . . . . Jochen Thermann . L’aide-cuisinier . . . . . Helmut J. Schneider . How Distant Can My Neighbor be? . . . . . Angelika Meier . Who I Really Am