Film International 102 2023 Volume 20 Number 4

Volume 20 Issue 4 (2022)

Editorial Issue 102
By Daniel Lindvall

Women Producers, Writers, Illustrators and Directors in Netflix’s BoJack Horseman
By Jenny Paola Ortega Castillo

The Magdalene Sisters (2002) and Little Black Spiders (2012)
By Katrijn Bekers

‘We’re Just Telling Our Stories as People’: Production choices and Minari’s take on the diasporic American dream
By Arezou Zalipour

Exploring Images of Community, Collectivity and ‘The People’ within Emergent Discussions of a Folk Cinema
By Jamie Chambers

Introducing Short Film, the Great Neglected Art Form of Our Age
By Benjamin George Coles

Against Stereotypical Representations: On young Saudi directors
By Hania A. M. Nashef

Childhood Transformation Rooms in David Lean’s Oliver Twist (1948) and Vincente Minnelli’s Gigi (1958)
By George Toles

Personal Confrontation in and with Wilderness vs. the Comforts of Community
By Jay A. Gertzman

An Outsider Festival Presents Outsiders: The 2022 San Sebastian
International Film Festival
By Ali Moosavi

Falling into the Realm of Chaos: Event Horizon
By Andrew Kolarik

Exploitation as Artefact: The Toolbox Murders
By William Blick

A Transcending Social Space: HBO’s We Are Who We Are
By Chet Domitz

Parting Words: Viewing films one image at a time; or, remembering Hannah Frank (1984–2017)
By T. R. Merchant-Knudsen