Nka 22/23 Spring/Summer 2008
Details
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The 21st Century and the Mega Shows: A Curators' Roundtable
From the Editor Chika Okeke-Agulu
ARTICLES
A Shout-Out to GORDON St. Clair Bourne
A HUNGRY HEART GORDON PARKS Deborah Willis
ARCHITECTURE AS COLONIAL DISCOURSE: ÂNGELA FERREIRA'S MAISONS TROPICALES Manthia Diawara
EXHIBITIONS APERTURES AND IMAGINARIES: Lessons from Snap Judgments Elizabeth Harney
LOOKING BOTH WAYS: Art of the Contemporary African Diaspora Laurie Ann Farrell
THREE ARTISTS THREE PROJECTS Salah M. Hassan
THE REVOLUTION STRIPPED BARE... Gilane Tawadros
AFRICA REMIX: An Immigrant, to Be Looked at from the other Side of Reinforced Glass Rory Bester
ON ART AND CONTAMINATION: Performing Authenticity in Global Art Practices Soraya Murray; Derek Conrad Murray
AND WHAT ARE YOU LOOKING AT? Formulas for Making the Invisible Visible Elvira Dyangani Ose
THE DAK'ART BIENNALE: EXHIBITING CONTEMPORARY ART AND GEOPOLITICS IN AFRICA Joanna Grabski
THE OPPOSITE OF EVERYDAY: Wim Botha's Acts of Translation Liese van der Watt
IMAGE AND IMAGINATION: Notes on Postmodernism Dagmawi Woubshet
MARLENE DUMAS: RETURNING HOME Virginia MacKenny
THE TWENTY-FIRST CENTURY AND THE MEGA SHOWS: A CURATORS’ ROUNDTABLE Salah M. Hassan
REVIEWS
CONRAD BOTES: SATAN'S CHOIR AT THE GATES OF HEAVEN Ivor Powell
Recounting Modernity: Continuity and Change: Three Generations of Ethiopian Artists Andrea E. Frohne
TAPPING INTO THE KNOWN: CHRISTOPHER & OBIAGELI OKIGBO Annabelle Mu'azu
BEKELE MEKONNEN Elizabeth Giorgis
MALICK SIDIBÉ: PORTRAIT OF THE ARTIST AS A PORTRAITIST Lisa Binder
BRULY BOUABRE'S ALPHABET Roberta Bonetti
AN EYE FOR THE TROPICS: TOURISM, PHOTOGRAPHY, AND FRAMING THE CARIBBEAN Jacqueline Francis
HOW TO SEE A WORK OF ART IN TOTAL DARKNESS Sarah Elizabeth Lewis