Public 66 2022 Access Aesthetics

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Contributors: SONNY BEAN HANNAH BULLOCK MARY BUNCH ADA CHAN, SUZAN OZKUL, BING CHERRY, DEVIN WALDIE, ALANNA PRICE JULIA CHAN ELIZA CHANDLER with BOJANA COKLYAT, SHANNON FINNEGAN, and JESSICA WATKIN SK DYMENT NOA/H FIELDS and STEFANIA GOMEZ RACHEL GRAY NANCY VIVA DAVIS HALIFAX DEVON HEALEY KIM JACKSON MEGAN A. JOHNSON VÉRO LEDUC SEAN LEE YO-YO LIN SHAWN NEWMAN with GEORGE KERSCHER, FARRAH LITTLE, DANIELLA LEVY-PINTO, AMY ROLLASON and ADAM RALLO KOFI ODURO (ILLESTPREACHA) DOROTHY ELLEN PALMER CARLA RICE, CHELSEA TEMPLE JONES, INGRID MÜNDEL, PATTY DOUGLAS, HANNAH FOWLIE, MAY FRIEDMAN, ELISABETH HARRISON, DEVAN HUNTER, EVADNE KELLY, MADELEINE KRUTH and SONIA MEERAI CHRISTINE WU Reviews by: EMMA BEN AYOUN ALEX BORKOWSKI EVAN ROBERT JONES DOROTHY R. SANTOS

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PUBLIC 66: Access Aesthetics edited by MARY BUNCH, JULIA CHAN, SEAN LEE explores access as a transformative political aesthetic grounded in crip arts, critical access, and disability justice movements. The issue includes artistic, academic, literary, and conversational contributions that demonstrate how disability and multi-sensorial ways of knowing innovate, remake, and transform publishing practice, aesthetics, and curatorial practice. Disability arts and access aesthetics challenge normative ableist and colonial-capitalist ways of being and relating, gesturing toward and creating a new world based on care, interrelation, and justice. Guest