Public 67 2023
Guest edited by BRIDGET CAUTHERY, JONATHAN OSBORN
Embodied methodologies propose a challenge as to how we understand and represent research, knowledge and knowing, where the body, as a source of information, reflection, reification and disruption foregrounds itself as a site of analysis. In this issue, established and emerging artists, academics, and artist-researchers from the fields of dance, performance cultural studies, and visual art offer multiple viewpoints as to how somatic and kinaesthetic engagement function in their working praxis.
PUBLIC 67: Return to the Body / Reversus est ad Corpus is 200 pages in length, designed by Associès Libres, full colour, with documentation of a performance by Naishi Wang on the cover.
CONTRIBUTORS
KEITH COLE
NATALIE GARRETT BROWN AND AMY VORIS
AMY HULL
ALPHONSO LINGIS
AMALIA MAKKAR
VINCENT SEKWATI KOKO MANTSOE
FLORENT NIKIÉMA
ALLISON PEACOCK
TESS TAKAHASHI
REVIEWS
REBECCA M. GORDON
CHELSEA RUSSELL
| Weight | 0.590000 |
|---|---|
| Binding | Magazine |
| Pages | 294 |
| Date Published | 2023-06-15 00:00:00 |
| ISBN13/Barcode | 772006863629 |
|---|---|
| Publisher | PUBLIC: Art | Culture | Ideas |
Guest edited by BRIDGET CAUTHERY, JONATHAN OSBORN
Embodied methodologies propose a challenge as to how we understand and represent research, knowledge and knowing, where the body, as a source of information, reflection, reification and disruption foregrounds itself as a site of analysis. In this issue, established and emerging artists, academics, and artist-researchers from the fields of dance, performance cultural studies, and visual art offer multiple viewpoints as to how somatic and kinaesthetic engagement function in their working praxis.
PUBLIC 67: Return to the Body / Reversus est ad Corpus is 200 pages in length, designed by Associès Libres, full colour, with documentation of a performance by Naishi Wang on the cover.
CONTRIBUTORS
KEITH COLE
NATALIE GARRETT BROWN AND AMY VORIS
AMY HULL
ALPHONSO LINGIS
AMALIA MAKKAR
VINCENT SEKWATI KOKO MANTSOE
FLORENT NIKIÉMA
ALLISON PEACOCK
TESS TAKAHASHI
REVIEWS
REBECCA M. GORDON
CHELSEA RUSSELL